For Independent Artists

Stop Buying Beats.
Start Owning Your Music.

The simple 4-loop method to produce beats you own 100% of the copyright to. No music theory. No piano. No experience needed.

Start Making Your Own Beats →
$27 one-time · Lifetime access

From the producer behind work with J. Cole · Doja Cat · Cory Henry · pH-1 · Eric Nam · 3x KCON

The Problem

You Have a Vision. But You Don’t Own Your Music.

You hear the beat in your head. You know exactly what you want your song to sound like. But right now, your options don’t give you full ownership.

Option 1: Buy beats online

You pay $30–$300 for a lease. The producer still owns 50% of your song. They can revoke your access. And that same beat? They’re selling it to dozens of other artists.

Oh, and those producers? A lot of them are making those beats with the same Splice loops you’ll learn to use yourself inside this course.

Option 2: Use AI tools like Suno

Type a prompt. Get a song in 30 seconds. Until you read the fine print.

Suno says your music “may not be eligible for copyright protection” and that “writing the prompt does not constitute the creation of the song.” You grant them a worldwide, perpetual, royalty-free license to your song. Forever.

Option 3: Learn to produce your own

You own the master. You own the composition. 100% of the copyright. Nobody can revoke it. Nobody takes 50%. And because you are the human author — it’s legally protectable.

That’s what this course teaches you.

Side by Side

Three Paths. One Gives You Real Ownership.

Buy BeatsAI (Suno)This Course
Own the copyright?✗ Split✗ Not eligible✓ 100% yours
Creative control?✗ Limited✗ AI decides✓ Total
Exclusive to you?✗ Sold to many✗ Similar outputs✓ Unique
Copyrightable?⚠ Producer holds rights✗ Prompt ≠ creation✓ Human-authored
Platform keeps rights?N/A✗ Perpetual license to Suno✓ No claim
Sync licensing?⚠ Need permission⚠ Risky✓ Full rights
Distributors accept?✓⚠ Some exclude✓ No issues
Cost per beat?$30–$300+$10/moOne-time $27
Long-term asset?✗ Lease expires✗ No protection✓ Yours forever
Why It Works

Splice Loops Are the Smart Foundation

Inside this course, you’ll use royalty-free loops from Splice to build your beats. Here’s what their terms actually say:

“We grant you a non-exclusive, non-transferable, perpetual right to use Sounds in combination with other sounds in music productions.”
“You will own any original contributions made to the New Recording that are not comprised of Sounds.”

Translation: Splice gives you a perpetual license to use their loops commercially. You own everything you create on top. Your arrangement, vocals, instrumentation — all yours. You can distribute, perform, license, and sell your music freely.

Your Instructor

I’m David Kim.

I built a production team called the Musical Avengers — a super-group of producers and musicians who’ve gone on to work with some of the biggest names in music.

Phillip Lewis — Doja Cat Cory Henry — Grammy winner Syience — J. Cole, Jay-Z, Beyoncé

I’ve connected artists like pH-1 and Rekstizzy in the Korean hip-hop scene. I appeared on a Korean singing show as Eric Nam’s friend. I’ve performed at KCON three times.

After years of watching talented artists stay stuck because they couldn’t produce their own music — I built this course to change that.

The Course

What’s Inside

Module 1 — Foundation

  • Setting up your free DAW (GarageBand, BandLab, or any DAW)
  • How Splice works and how to find the perfect loops
  • Understanding BPM, key, and song structure (no theory needed)

Module 2 — The 4-Loop Method

  • Build a full beat using just 4 loops
  • Choosing drums, melody, bass, and texture
  • Layering and arranging like a real producer
  • Making your beat sound professional with simple mixing

Module 3 — Release & Revenue

  • Register your music and own 100% of the rights
  • Distribution through DistroKid, TuneCore, or CD Baby
  • Publishing, royalties, and sync licensing
  • Playlist pitching and promo strategy

Module 4 — Creative Freedom

  • Building a catalog of original beats
  • Developing your unique sound
  • Producing for other artists and getting paid
  • Turning beat-making into a revenue stream
The Full Package

Everything You Get

$27
One-time payment · Lifetime access · No subscriptions
Start Making Your Own Beats →
FAQ

Common Questions

Do I need an LLC to release music?
No. You can release under your own name or artist name. An LLC is worth considering once you’re earning consistent income, but it’s not required to start.
Should I release singles or an EP first?
Singles. The algorithm rewards consistency. One song every 4–6 weeks keeps you in Release Radar and gives you more chances to pitch playlists.
How long should I wait between releases?
4 to 6 weeks. Gives each song time to find its audience while keeping you active in the algorithm.
Can I change my artist name later?
Yes, but it’s messy. Old releases may still show the previous name. Pick a name you’re confident in before your first release.
Do I need to copyright my songs?
Your music is copyrighted the moment you create it. Registering with the U.S. Copyright Office ($65/song) gives you legal protection if someone steals your work. Not urgent for your first release, but worth doing as your catalog grows.
Should I pay for playlist placements?
Never pay anyone who guarantees a spot on a specific playlist — that violates Spotify’s terms. Legitimate services like SubmitHub and PlaylistPush connect you with real curators.
Can I use my beats from the course commercially?
Yes. Any beat you create using the techniques from this course is 100% yours. You own the master and the composition.
What if my first song gets zero streams?
That’s normal. The purpose of your first release is to go through the entire process so your second and third releases are smoother. Every song is progress.

Three Choices. One Builds a Future.

Keep buying beats — pay someone else, own 50% at best, hope they don’t revoke your lease.

Use AI — own it in name only, can’t copyright it, hand Suno a perpetual license to your song.

Make your own — own 100%, copyright it, build a catalog that’s yours forever.

The artists who win long-term own their music. This is how you start.

Start Making Music You Own →